口径：3.3cm 底径：9.3cm 高：26cm

此件拍品器形曲线圆滑，颈部细直，附带三管，器腹扁圆。由于形似满月，故又雅称「抱月瓶」或「宝月瓶」。抱月瓶创烧于明代，原形应来自中东，后融合于中华工艺。大型扁壶烧制不易，会因承受不了窑内高温而坍塌变形。

随时代流转，抱月瓶器形亦常随之而有变。今次上拍的这一件，具鼎盛时期乾隆年间两大创新特征 - 器身扁平、呈圆形，中心开光，开光内凸脐。青花发色方面，钴青点染纹饰，拟效明初青花之浓黑铁斑，亦挺具慕古味儿。底落“大清乾隆年制”，为重要的大型宫廷陈设器，有极高的观赏价值和收藏价值。

The shape of this piece is smooth and the neck is straight, with three tubes and a flattened belly. Because it looks like a full moon, it is also known as the "moon bottle" or "baoyue bottle." The moon-shaped bottle was burned in the Ming Dynasty, and the original shape should come from the Middle East, and then merged into the Chinese craft. Large flat pots are not easy to burn and will collapse due to the high temperature in the kiln.

It is always flowing around, and the shape of the bottle is often changed. This time, this piece has two innovative features during the heyday of the Qianlong period - the body is flat, round, with a central opening, and a navel in the light. In terms of blue-and-white hair color, the cobalt-green spot dyed and decorated, it is intended to be effective in the early black and white spots of blue and white, and it also has a natural taste. At the end of the "Daqing Qianlong Year System", it is an important large-scale court furnishings, with a high ornamental value and collection value.