口径：21.9cm  底径：21.2cm  高：48.8cm

尊撇口，束颈，圆肩，鼓腹，腹下渐敛，外撇圈足。尊体主题纹饰为花草纹。自上而下尊口绘回字纹，继而绘如意云纹，用莲瓣纹将尊口与尊身纹饰完美分割。肩部以如意云纹过度到尊身主题花草纹，再用莲瓣纹以及回字纹收尾。底部绘莲瓣纹，卷草纹。整件大尊自上而下总共七个内容纹饰，繁复但有序，线条流畅，造型精美。在明洪武时期问世这样复杂的大尊异常少见。本拍品青花发色偏暗，符合洪武时期青花特色，器型硕大，纹饰内容有元代遗风，且瓜棱尊工艺复杂，保存异常完整，实乃难得可贵。

Respect for the mouth, neck, round shoulders, belly, gradually abdomen under the abdomen, the outer ring is full. The motif of the body is decorated with flowers and grass. From top to bottom, the mouth is painted back to the word pattern, and then the picturesque cloud pattern is painted, and the lotus petals are used to perfectly divide the statue and the body. The shoulders are over-supplied to the theme flower pattern, and then the lotus petals and the back pattern are used to close the tail. The bottom is painted with lotus petals and rolled grass. A total of seven pieces of content from top to bottom, complex but orderly, smooth lines, beautifully styled. It is unusual for such a complicated grand priest to come out during the Ming Hongwu period. The blue-and-white color of this lot is dark, conforming to the blue-and-white characteristics of the Hongwu period, the large size of the instrument, the content of the ornamentation is the legacy of the Yuan Dynasty, and the melon-like process is complicated and the preservation is abnormal and complete, which is rare and rare.