长：93.5cm 宽：58.5cm

李苦禅继承了中国画的传统，吸取石涛、八大山人、扬州画派、吴昌硕、齐白石等人的技法，在花鸟大写意绘画方面有特色。有豪放，气势磅礴，形象鲜明的风格，树立了大写意花鸟画的新风范。李苦禅用自己审美观点和表现手法，创造出许多艺术形象。李苦禅画花鸟，有一定写实的成分，不是对自然物象客观的描摹，是凝练后创造。随意中蕴含着朴拙之气，自然含蓄中蕴含阳刚之气。李苦禅的画幅越大越能自由挥洒。李苦禅晚年的作品达到了“笔简意繁”的艺术境界。

Li Kuchan inherits the tradition of Chinese painting and draws on the techniques of Shi Tao, Bada Shanren, Yangzhou School, Wu Changshuo, Qi Baishi, etc., and has distinctive features in flower and bird painting. There is a bold, powerful and vivid style, which sets a new style of freehand flower and bird painting. Li Kuchan used his aesthetic views and expression techniques to create many artistic images. Li Kuchan's paintings of flowers and birds have certain realistic ingredients. They are not an objective description of natural objects, but are created after conciseness. The arbitrariness contains the genius of Park Ge, and the natural subtlety contains masculinity. The larger the painting of Li Kuchan, the more freely he can sway. The works of Li Kuchan's later years have reached the artistic realm of “simplified and practical”.