高：23cm 口径：5.5cm 高23cm

雍正后期清宫彩瓷一改此前雄丽苍劲之风格，特别在吸纳西洋技艺之后，彩料细腻柔和，气息婉约清新，以致名品迭出，惊艳古今，焕发彩瓷魅力之新姿采，下启乾隆之世华丽彩瓷之先声。
此瓶即为当中杰出的一例，为乾嘉两朝所沿袭烧造，是清宫御瓷之经典名品。.其隽秀而娇巧，优雅而尊贵，胎体细薄坚致，内壁施白釉，温润莹美。器身自上而下敷设黄、红、蓝三种色地，后二者上面绘饰各式对称舒卷的洋花，颈部各饰抹金如意耳，垂挂万字璎珞纹，延至腹胫，前后分隔瓶身。其设色妍丽鲜亮，灵动舒展，装饰巧妙新颖，极见雍正洋彩之华丽雍容气象。

In the late Qing Dynasty, the Qing Dynasty colored porcelain changed the style of the formerly vigorous and vigorous, especially after the absorption of Western skills. The color materials were delicate and soft, and the atmosphere was fresh and fresh, so that the famous products were repeated, and the ancient and modern, the new look of the glamour of the porcelain was fascinated. The first sound of the world of gorgeous porcelain.
This bottle is one of the outstanding examples. It was burned by the Yi and Jia Dynasties and is a classic of the Qing Imperial Palace. Its delicate and delicate, elegant and distinguished, the carcass is thin and firm, the inner wall is white glaze, warm and beautiful. The body is covered with yellow, red and blue colors from top to bottom. The latter two are decorated with various symmetrical squirting flowers. The necks are decorated with gold enamel earrings, hanging on the plaques and extending to the belly. Separate the bottle. Its color is bright and bright, it is flexible and flexible, and the decoration is ingenious and novel. It is extremely beautiful and graceful.